主演：Kunal,Kapoor,Mohammed,Ali,Mir,Sunil,Drego
导演：Vandana,Kataria
简介：It is winter in a prestigious all boys' boarding school, where children continue to practice age-old rituals and codes bound by years of hierarchy of the popular norm. Shay is picked at constantly, the main perpetrators being Arjun, the tall athletic sports captain and his best friend Baadal. Shay and Prithi, the spunky daughter of the new Junior School Principal are cast as Bassanio and Portia in the Founders Day production of Merchant of Venice. Murali, the charismatic drama teacher unknowingly adds salt to Baadal's wounds by casting him as Shay's understudy. Indignant, Baadal vows to get Shay's part at any cost and turns to his buddy Arjun for help. Events take a sinister turn when Shay walks in on Arjun, Baadal and their cronies on a debauched night.
主演：安德丽·贝斯孔,嘉莲·维雅,克洛维斯·科尔尼亚克,皮埃尔·德隆尚,格雷戈里·蒙泰尔,卡罗尔·法兰克,Gringe,阿丽亚娜·阿斯卡里德,西里尔·梅莱斯,埃里克·梅泰耶,亚力克西斯·马沙利克,亚尼斯·马歇尔,皮埃尔·福雷,克莱蒙·梅特耶,雅克·弗朗茨
导演：安德丽·贝斯孔,埃里克·梅泰耶
简介：Odette是个八岁的小女孩，喜欢跳舞和画画。她非常讨厌父母亲的一个朋友，因为他总是想和她玩“挠痒痒”的游戏。成年后，Odette终于能够畅所欲言，回顾她的舞蹈演员生涯以及生活中的漩涡……
主演：珍尼希斯·罗德里格兹,卡丽·拉扎,安东尼·冈萨雷斯,萨拉·明妮奇,迪兰·科宁,杰西卡·华雷斯,奥马尔·莱瓦,Forrest,Fyre,约翰尼·奥蒂斯,Alex,Livinalli,Katia,Gomez,Claire,Weinstein,Luis,Bordonada,Vincent,Fuentes,Jermaine,Washington
导演：Daniel,Sawka
简介：A young boy becomes trapped inside America's rigid immigration process. Feature adaptation of the 2016 short film, 'Icebox'.
主演：陆弈静
导演：李权洋
简介：新锐编导李权洋〈铜板少年〉横扫世界各大影展，他带来源自母亲自身经验的全新创作〈阿嬷的放屁车〉，诉说年届60的阿嬷陆弈静和她百年不换的乌贼车一样，坏了就叫修、破了就补，常出问题的乌贼车和坑坑巴巴的人生互通声气，在她和孙女外出骑着乌贼车趴趴走的一日，书写出专属母亲的生命韧性与独立的骄傲。陆弈静在片中自然真挚，平实内敛的演技建立女性坚毅的银幕形象。李权洋展现出精湛的叙事功力，让观众为陆弈静的勤俭念旧和固执浪漫所焦虑，又为嬷孙间纯真的情感所动容。陆弈静在片中因骑老旧乌贼车被全新的Gogoro超车，因为入戏太深，自己加戏，和Gogoro轧车，只是想看清楚车型却轧输，李权洋笑说陆弈静为角色注入「不服输」的生动灵魂。李权洋称陆弈静对教育很有一套，对于片中孙女黄凌辰从不用「哄」的，两人间的化学反应，让现场多了很多惊喜和笑果。
主演：Mikhail,Aprosimov,Feodosia,Ivanova,Sergei,Egorov,Galina,Tikhonova,Afanasiy,Kylaev
导演：米尔科·拉扎罗夫
简介：驯鹿猎人Nanook和他的妻子Sedna住在北部的一片冰封世界。他们的日常生活窘迫，但从不抱怨。相反，他们常常向彼此讲述古老神话和他们的梦境。无论他们讲述的是与动物、人类的相遇场景，还是与活着的、死去的邂逅，所有都是富有意义的。事实上，Sedna的身体状况不好，重病在身。虽然她在小腹上涂抹、按摩着自制的软膏，但她知道她的生命已经走向尽头。她非常想和Aga说说话——Aga是他们多年前毅然决然地离家外出工作的女儿。但是，Nanook并不想提起这个话题。他全然坦白地和他的妻子讲任何事——关于鬼怪的、神明的，但从来不讲他们自己的孩子。当Sedna离世，这个垂垂已老的男人Nanook即将面对什么？这是一个特别的爱情故事，发生在一片极寒的冻土之上，这也是一次对人类情感的探究——沉默无言和冰冷情感都在死亡面前被软化。
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：吹石一惠,吉田羊,德永绘里,津田宽治,市毛良枝,西田聖志郎
导演：佐佐部清
简介：在弥漫着别样风情的鹿儿岛，曾经喧嚣一时的商店街走向落寞。人潮涌向了如怪物般圈地扩张的大型购物中心，而散发着浓郁人情味儿的街道只能顾影自怜。在商店街经营着一家专门出售日本点心（和果子）的老铺“虎屋”，这家人平凡的生活中有着这样那样的烦心事。男主人真平（西田圣志郎 饰）与妻子惠子（市毛良枝 饰）早年离婚，三个女儿的婚姻爱情也充满黯淡颜色。长女静江（吉田羊 饰）离婚后回到娘家，次女奈美江（吹石一惠 饰）的婚姻则正处在破裂的边缘，小女儿小荣（德永绘里 饰）此时此刻陷入不伦之恋中。六月灯节将近，三姐妹和身边人的故事悠然上演……本片根据剧作家水谷龙二的同名原作改编，
主演：张建声,吕良伟,陈保元,汤镇业,李灿森
导演：未知
简介：讲述了落魄编剧钟正（张建声 饰）孤身涉险进入赤浪湾监狱，寻找祖辈宝藏的故事。在监狱中，他一方面遭遇到狱霸大彪哥（陈保元 饰）的压迫，一方面也被重情重义的蟹哥（吕良伟 饰）所保护。宝藏计划意外泄漏，致使三人关系变得扑朔迷离，而在经过一番博弈之后，他们决定开启“越狱行动”，合力将宝藏运出监狱。巨额宝藏带来的究竟是兄弟情谊还是纷争？
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：Malin,Akerman,Christian,Hillborg,Pernilla,August,Jonas,Karlsson
导演：Edward,af,Sillén
简介：Based upon the music by legendary Swedish artist Tomas Ledin, "En del av mitt hjärta" is a musical drama about Isabella, a driven business woman and a real hot shot within the Stockholm finance world. When she returns to her small hometown to celebrate her father's 60th birthday she feels like a winner compared to her old classmates, being the only one who actually made something of herself. Isabella's confidence is shaken when she realizes that Simon, her big teenage crush, is marrying her childhood friend Molly and that she isn't even invited to the wedding. Isabella is used to getting what she wants, and seeing Simon so happy with somebody else bothers her. A part of her heart will always beat for Simon
主演：西尔维娅·西德尼,威廉姆·考利尔,埃斯特尔·泰勒,比尤拉·邦蒂,约翰·奎尔伦
导演：金·维多
简介：On a hot summer afternoon in New York, Emma Jones gossips with other neighbors in her residential building about the affair that Mrs. Anna Maurrant and the milkman Steve Sankey are having. When the rude and unfriendly Mr. Frank Maurrant arrives, they change the subject. Meanwhile, their teenage daughter Rose Maurrant is being sexually pressured by her married boss Mr. Bert Easter. She does however very much like her kind young Jewish neighbor Sam, who has a serious crush on her.The next morning, Frank Maurrant tells his wife that he is traveling to Stamford on business. Mrs. Maurrant meets the gentle Sankey in her apartment, but out of the blue Frank comes back home. He realizes his wife is upstairs with Sankey, and runs upstairs. We hear shots and see the two men struggling as Sankey tries to escape through the window. Maurrant runs out with a gun. He has killed Sankey and fatally wounded his wife.Maurrant is apprehended and is led away by police. He apologizes to his daughter Rose, who will now have to take care of herself and her young brother without either parent. Rose's boss offers once again to set her up in her own apartment, but she refuses. Then she sees Sam, and tells him she wants to leave the city. Sam pleads with her to let him go with her, but she tells him it will be better for the two of them to have a couple of years apart before they consider becoming a couple. Rose walks off down the street by herself.
主演：Tamara,Casellas,Leire,Marin,Vara,埃斯特法尼娅·德·洛斯桑托斯,安娜·杜尔彬,曼纽尔·德·巴拉斯,切马·德尔·巴尔科,Pablo,Gómez-Pando,Maria,Gregorio,Vasileios,Papatheocharis,Carmen,Ibeas
导演：Júlia,de,Paz
简介：A portrait of the myth of maternity around the story of Pepa and her daughter, who are asked out of their home and forced to wander for a place to live with no support network.
主演：田乐,刘俊希,陆遥,杨振兴,皮少
导演：王礼滢
简介：石笋山八仙聚aaa。八仙各有思乡之情。正巧曹国舅（景休）成仙千年，玉帝特准下界探亲一月。何仙姑陪同曹国舅来到乔迁夜宴阖家欢乐的曹家。曹家公司遇到资金问题，曹兴国又不信任自己的儿子有能力帮助自己，曹兴邦在暗地里使坏组织了老朋友对曹兴国的帮助。曹国舅和何仙姑看在眼里，急在心里，就在曹国舅想要使用法力帮助曹兴国度过难关的时候，何仙姑制止了他，以女人独有的智慧激发了曹兴国与曹景新之间的父子情，也帮曹家度过了难关。
主演：苍井优,竹内结子,松原智惠子,山崎努,蒲田优惟人,中村伦也,北村有起哉,杉田雷麟,清水久留巳,仓野章子,不破万作,冈山一,池谷伸枝,藤原季节,小市慢太郎,松泽匠
导演：中野量太
简介：本片改编自中岛京子同名小说，讲述原是中学校长的父亲(山崎努饰)被确诊为认知障碍后，他是如何和妻子曜子(松原智恵子饰)及两个爱女(竹内结子、苍井优饰)度过接下来的时光的。
主演：田华,李林,陈戈
导演：林农
简介：中央红军北上抗日后，白匪军卷土重来，红色根据地一夜之间变了颜色，到处充满了血雨腥风。玉梅（田华 饰）的家乡处在白色恐怖之中。党组织受到严重破坏，来不及转移的赤卫队干部和红军家属惨遭毒手。侥幸逃脱的玉梅受到叛徒马玉辉（李林 饰）的百般纠缠，多亏马玉辉妻子协助，玉梅总算逃脱了魔爪。在去东山寻找党组织的途中，遇见另外两个女党员，她们是惠珍（杜凤霞 饰）和秀英（李萌 饰），她们也是被迫上山找党的。三人成立了党小组，玉梅任组长，她们发誓一定找到党组织，领导群众坚持地下武装斗争，等红军打回来，为死难的乡亲报仇。有一次，山上的通信员小程（王春英 饰）到玉梅处取为游击队准备的干粮时，被敌匪首（周文斌 饰）带人包围，为掩护同志脱险，玉梅挺身而出......
主演：克里斯托夫·巴赫,瓦尔特·斯彻特里奇,英卡·芙德瑞,乌尔里克·福克特斯,Stefan,Hallmayer,Monika,Anna,Wojtyllo
导演：汉尼·斯托尔
简介：講述一個南德史瓦本地區代代相傳的家族企業，如何因中國的經濟崛起而舉家面臨破產危機，並且在危機之中重整家庭關係。旅居柏林的台灣作家陳思宏並擔綱演出商人要角。『伯恩舒茲父子』是一個家庭企業，在南德小鎮茲瓦本生產紡織機，但亞洲廠商削價競爭，導致他們的訂單下降，麥克伯恩舒茲（39歲，第二代老闆）不得不背著老爸和中國人談交易。老爸保羅（90歲，資深合夥人）發現之後，找來麥克的姐妹瑪麗絲和瑪麗安來拯救由他創下的事業…《全球玩家》用幽默的喜劇形式說了一個現代悲劇，它是在全球化下中德雙邊的眾生相，也彰顯了德國中產階級的危機。
主演：塞姆雷·埃布齐亚,爱佳·尤卡塞,海林·坎德米尔,穆菲特·卡亚坎,凯罕·阿奇科兹,库比莱·通杰尔
导演：埃敏·阿尔柏
简介：风景如画的安纳托利亚中部山区，对现实不满的三姐妹因各自的原因从城市归来，被迫与他们专横强势的父亲生活在一起，彼此心中却极度渴望远离此地。这部电影在白昼与黑夜交替中呈现宁静又神秘的山村景观，在交织的寓言传闻与家庭戏剧中，凸显女性生命力量与抗争精神。